My Writers’ Conference Experience

Last week I attended the Oregon Christian Writers Conference in Portland, Oregon. The conference began on Monday and ended Thursday afternoon. For any writer who has never attended a conference, I highly recommend it.

One of the reasons to attend a writers’ conference is that writers have access to agents and editors in a way that doesn’t happen by simply sending in a query. Editors and agents pay more attention to writers who attend conferences because they can tell that these writers are serious about their craft and willing to invest time and money to improve their writing skills.

If you are planning to attend a writers’ conference it is important to thoroughly familiarize yourself with who will be at the conference and know what you want to accomplish. This will help you to prioritize and make the most of your time. My priorities were 1) to help out with morning worship by playing the guitar, 2) gain a better knowledge of the craft of writing women’s fiction, 3) talk with a mentor about writing as a career, 4) build relationships with agents, editors and authors, 5) get an understanding of the place of my writing, 6) volunteer, and 7) spend time in the pool. I managed all of the above.

Before the conference I selected a coach and signed up for a Coaching Class–seven hours of in-depth teaching in three morning sessions. My class was taught by Angela Hunt. Angela has written contemporary fiction, historical fiction, children’s fiction and several books on the craft of writing. It was inspiring to hear her tell about her writing journey and her technique, which she covers in her book, Writing Lessons From the Front: The First Ten Books.

I also selected a Mentor for a half hour appointment. Poppy Smith–an author, international speaker and life coach gave me some helpful input as we discussed writing as a career path.

At the conference I signed up for 15 Minute Appointments with Editors and Agents, based on their availability. If I could not get an appointment I waited for mealtime and sat at the Tables of Editors or Agents I needed to meet. I also had a conversation with two agents during the Thursday afternoon one hour Autograph Party.

There were twenty-six Afternoon Workshops. We could only choose four. Since we were not committed to particular classes ahead of time I was able to change my plan at the last minute and attend the class of an agent I was encouraged to see, based on my other meetings. Thankfully I managed to spend time with every person I planned to talk to.

At the end of the day, after the Keynote Speaker, I felt too tired to attend the final Night-Owl Workshop. I went to my room to rest and my roomie almost dragged me to the Night-Owl. She knew I needed to go and she was right.

One of the things I discovered in speaking with several agents about my book is that it may not be suitable for Christian publishers. The Surrey International Writers’ Conference is a renowned conference held in my hometown every October, so I’m thinking of attending it next year and hearing more on the subject.

The hope of every writer is to get a publishing contract but, realistically, the chance of this happening at a conference is still pretty slim. As you may have noted in an earlier post, I participated in the Manuscript Submission Program by submitting my first ten pages, cover letter and synopsis to two agents and an editor a couple of months before the conference. The response was that my novel has “promise” and “potential” and needs more editing.

In summary, I got much more than I expected out of the conference. If you are going to a conference I suggest you read Chip MacGregor’s post, Ask the Agent: How Do I Get the Most Out of a Writers’ Conference. I heeded his suggestion to plan which sessions to miss in order to have time to spend with friends and added my own version–remember to include time at the pool too!

What is Your Writing Worth?

My writing is important to me, but lately I’ve had to take an honest look at what it is I want and need to do with my life. I’ve concluded I want to write. As a result, I am setting aside time to write.

And, I’m putting my money where my mouth is and investing in resources. Connecting with people who write, buying books, attending conferences.

As part of my honest analysis, I admitted to myself that I also need to make money.

This week I came across some very timely advice that I plan to apply to my writing and you might find it useful as well.

I went to Chip MacGregor‘s website because he will be at the Oregon Christian Writers Conference I plan to attend in August. Before a conference it’s a good idea to do some homework and read up on the agents and editors who will be there. Chip is a sought after agent, and the owner of MacGregor Literary. I have also submitted the first ten pages of my manuscript to him under the OCW Manuscript Submission Program.

In his article, Ask the Agent: Is it Realistic to Think of Making My Living at Writing, he caught my attention with this statement:

Set a financial goal, start to work toward it, and look for opportunities to generate some income from your writing skill.

Writers, Chip says, are pathetically underpaid and we seem to think we just have to accept that, but this is not the case. Chip’s idea is we need to take charge of our careers and make sure we are getting paid.

Here are a couple of suggestions from Ask the Agent: What’s the One Piece of Advice You’d Give a Career Writer:

Develop a writing calendar….a document that details what you’re going to write each day.

To figure out what you put into each day, you look at your “to do” list and do some prioritizing. What needs to get written today? What will pay off? What will push your career forward?

…you don’t just write down the goal for each day and stop. You then go back and add in a dollar figure, so each project is seen as contributing to your budget.

Figuring out your writing value isn’t hard — if your goal is to make $36,000 per year at writing, you’re trying to make $3000 per month, or $750 per week, or an average of $150 pr day.

“Write in a dollar figure.” Have you ever thought of your writing in this way? I hadn’t.

This becomes important when you are considering a writing assignment. You estimate how many hours/weeks the job will take you to finish, and then you calculate how much it will bring in and consider if it fits within your overall budget plan. He gives an example:

You’re expecting to sell that book for about $5000, so each chapter has a monetary value of roughly $250.

Let’s do the math. If you are only making $5000 on a book, or another assignment, then, to stay within a $36,000 budget, you need to complete this project in less than two months. That’s probably unrealistic for a book.

If you know it will take you six months of steady writing to complete the work, you need to make $18,000 when it is finished.

Our writing has intrinsic value as it educates, informs, entertains and inspires our readers. But from a practical standpoint, if we want to survive as writers, we may have to become strategic and place a dollar value on our writing.

Thanks Chip MacGregor for the heads up!